Left Arrow key is pressed - Selects the left cell, when the Grid is not in edit
mode. Otherwise, the key stroke is handled by the editor.
Right Arrow key is pressed - Selects the right cell, when the Grid is not in edit
mode. Otherwise, the key stroke is handled by the editor.
Up Arrow key is pressed - Selects the cell above, when the Grid is not in edit mode.
Otherwise, the key stroke is handled by the editor.
Down Arrow key is pressed - Selects the cell below, when the Grid is not in edit
mode. Otherwise, the key stroke is handled by the editor.
Page Up/Down is pressed - Navigate Up or Down with one page, when the Grid is not
in edit mode. Otherwise, the key stroke is handled by the editor.
Home/End is pressed - Navigate to the first or last row, when the Grid is not in
edit mode. Otherwise, the key stroke is handled by the editor.
Enter key is pressed - Moves one cell down in "multiplecellsadvanced" selection mode. If the cell is in edit mode, saves the new value and moves one cell down. In the other selection modes, shows the selected cell's editor. If the cell is in edit
mode, hides the cell's editor and saves the new value. The editor's value is equal
to the cell's value.
Esc key is pressed - Hides the cell's editor and cancels the changes.
Tab key is pressed - Selects the right cell. If the Grid is in edit mode, saves
the edit cell's value, closes its editor, selects the right cell and opens its editor.
Shift+Tab keys are pressed - Selects the left cell. If the Grid is in edit mode,
saves the edit cell's value, closes its editor, selects the left cell and opens
its editor.
F2 key is pressed - shows the selected cell's editor when the Grid is in edit mode.
Space key is pressed - Toggles the checkbox editor's check state when the selected
cell's column is a checkbox column and the Grid is editable.
Shift+Arrow key extends the selection.
Shift extends the selection when the user clicks on a cell or row..
Ctrl key is pressed - in 'multiplecellsextended, multiplecellsadvanced and multiplerowsextended' selection
mode, extends the selection when the user clicks on a cell or row.
Ctrl+Arrow key - moves to an edge.
Ctrl+C Copy.
Ctrl+X Cut.
Ctrl+V Paste.
Page Down - Moves one screen down
Page Up - Moves one screen up
Home - Moves to the beginning
End - Moves to the end
Typing in a cell when the Grid is "editable" will put the cell in edit mode.
There were more attractions outside the temple than in it for our young visitors, and, after a hasty glance at the shrines in the neighborhood of the great altar, they went again into the open air. I prompted Camille to ask if he had ever encountered Ned Ferry, and he laughed. "In a matter like this," put in Gregg, "sense is at a premium. What we have to do is to consult our intuitions." "Be silent," Leona Lalage hissed, "take heed lest you go too far. Begone, get back to your kennel, anywhere out of my sight. Do you think I want to keep you near me an hour longer than is necessary?" In regard to the use of the T square and set squares, no useful rules can be given except to observe others, and experiment until convenient customs are attained. A beginner should be careful of adopting unusual plans, and above all things, of making important discoveries as to new plans of using instruments, assuming that common practice is all wrong, and that it is left for him to develop the true and proper way of drawing. This is a kind of discovery which is very apt to intrude itself at the beginning of an apprentice's course in many matters besides drawing, and often leads him to do and say many things which he will afterwards wish to recall. If Zeller¡¯s semi-Hegelian theory of history does scant justice to the variety and complexity of causes determining the evolution of philosophy, it also draws away attention from the ultimate elements, the matter, in an Aristotelian sense, of which that evolution consists. By this I mean the development of particular ideas as distinguished from thexvii systems into which they enter as component parts. Often the formation of a system depends on an accidental combination of circumstances, and therefore cannot be brought under any particular law of progress, while the ideas out of which it is constructed exhibit a perfectly regular advance on the form under which they last appeared. Others, again, are characterised by a remarkable fixity which enables them to persist unchanged through the most varied combinations and the most protracted intervals of time. But when each system is regarded as, so to speak, an organic individual, the complete and harmonious expression of some one phase of thought, and the entire series of systems as succeeding one another in strict logical order according to some simple law of evolution, there will be a certain tendency to regard the particular elements of each as determined by the character of the whole to which they belong, rather than by their intrinsic nature and antecedent history. And I think it is owing to this limitation of view that Zeller has not illustrated, so fully as could be desired, the subtler references by which the different schools of philosophy are connected with one another and also with the literature of their own and other times. So I had to get out and take the next car, and was late for gymnasium. ¡°Oh!¡± the man groaned, and dropping his weapon, he began to nurse his shoulder. Jeff shut his eyes. Then he opened them again. No use to try a jump, no use to do anything but be ready if¡ª¡ª The Apache never quivered a muscle nor uttered a sound. It was fine stoicism, and appealed to Felipa until she really felt sorry for him. "All right," said the Lieutenant in charge of the herd, when the circumstances were explained to him. "Free passes over my road to Chattanooga are barred. Everybody has to work his way. But I'll see that you get there, if Joe Wheeler's cavalry don't interfere. We are going over in the dark to avoid them. You can put your carpet-bag in that wagon there. Report to the Herd-Boss there." There was an air-conditioning duct, but Cadnan did not know what such a thing was, nor would he have understood without lengthy and tiresome explanations. He didn't know he needed air to live: he knew only that the room was dark and that he was alone, boxed in, frightened. He guessed that somewhere, in another such room, Dara was waiting, just as frightened as he was, and that guess made him feel worse. "All wot?" Bill looked, his eyes opening wider than ever. She[Pg 401] certainly was a disreputable female, or there was no judging by appearances. She wore a big frowsy hat trimmed with roses and ears of corn, under which her thick black hair was held up by several tawdry pins; her face was more lavishly than artistically adorned with rouge and blanc de perle, and she pulled a cape of lavender velvet closely round her shoulders as if she were cold¡ªwhich might well have been, for, as far as they could see, her bodice consisted almost entirely of lace. HoME¿´¿´Å·ÃÀÒ»¼¶ÊÓƵ¿á¹·
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